Recycling Tokyo-style

Is there any country that knows how to throw stuff out like Japan?  After a lengthy visit to the US, I was awestruck once again by the orderly disposal I witness here weekly.  Let’s take recycling. On designated days, city-run trucks make the rounds and gather in the glass, metal, plastic and paper for re-use. In preparation, everyone places their contributions in separate, plastic bins set out near the street. The chaos caused by combining everything in one large vessel, as is the practice in parts of the US, is conspicuously absent. Just look at how carefully my neighbors discard their empties!

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Neatly arranged in rows, these spent tins are practically a work of art. While metal cans must be placed in the blue bins supplied by the city, glass bottles go in the yellow ones.

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And then there are the PET bottles. Held in a plastic net bag, each one is rinsed and label-free.
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Newspapers are a whole other animal. They must be properly bundled and tied with string. This iconic image was the inspiration for Bind, Satoshi Umeno’s clever end table. Featured in my book, “Made in Japan: 100 New Products” (check out this link to learn more), it consists of a simple, glass top wrapped with steel strips reminiscent of rope. As the designer pointed out to me, this table makes a pile of paper, neat or messy, look great!
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Umbrella Musings

IMG_4560One of the things I love most about Japan is the national enthusiasm for seasonal change.  Here the shift from one sector of the year to the next is heralded with great fanfare. The arrival of ume plum blossoms at the tail end of winter, sakura cherry blossoms in mid-spring and, my personal favorite, ajisai hydrangea at the cusp of summer (right now!) are all causes for true celebration.  Picking up where nature leaves off are the must-have household goods, like furin bells in summer and hokkairon hand warmers in winter. These items tend to be featured in shops at their appointed times of year only. Sure, some of the bruhaha is just crass commercialism. But behind that is a true love of the year’s cycle.

One of my favorite trends is the spurt of interest in umbrellas that manifests itself every year at about this time.  An interlude between spring’s freshness and summer’s full on heat and humidity, tsuyu, or rainy season, lasts for a couple of weeks and has a distinct character. Unlike the strong gusts and torrential downpours during the rest of the year, tsuyu rain has a delicacy all its own.  During these few weeks it is likely to drizzle for part or most of the day but the drops are so gentle that sometimes they seem more like mist.  Though the constant dampness can be a bit of a bother, I quite like tsuyu.  It makes leaves and grass look greener, the sky look grayer and the air feel softer.

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In anticipation of the rain, stores begin trotting out all kinds of specialized gear, such as waterproof hats, rubberized shoes and, of course, umbrellas.  Equally suitable as sun shade and rain cover, the colorful brollies above are the products of NUNO, one of Japan’s finest textile design concerns.  Made of cotton and linen, the individual fibers are waterproofed first at a factory in Yamanashi Prefecture and then woven together. Says NUNO’s Reiko Sudo, this process maintains the fabric’s breathability.

Complimenting the colorful cloth canopy, the structural components are the product of the Osaka umbrella maker Mikawa founded in 1883. The two companies have been collaborating since 2011. The umbrella handles come in two forms: the classic hook, made of either cherry or white birch, and the more wafu-inspired straight shape rendered in maple. All of the hardware is exquisitely detailed. Currently on sale at Matsuya Ginza, these umbrellas are made to last and be loved.  By the way, Matsuya is also hosting a beautiful exhibit titled “Do You NUNO?” celebrating 30 years of the company’s textile greatness. The display will be up until June 10 and I highly recommend it.

Despite tsuyu’s predictability, I would venture to say that people in Japan have a bit of an aversion to getting wet. As soon as the sky begins to darken, out come the umbrellas. While working on my recent book, Made in Japan: 100 New Products, I learned that people here tend to own more umbrellas than in other parts of the world.  No surprise.

To accommodate all of these umbrellas, Japan churns out a remarkable array of storage vessels and drying methods. As soon as the drops begin to fall, many shops roll out plastic sheath dispensers, enabling patrons to carry their wet umbrellas with them without making a mess.  Since most people simply discard the used covers on their way out, this hardly seems like an ecological solution.

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Another more appealing option is the umbrella dryer above.  Basically, this is a V-shaped trough covered with water absorbing material of some sort.

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One simply places the umbrella inside and twirls it around to shake off the droplets.  Once dry, the umbrella is ready to be snapped closed and stored.

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Driving Range Oshibori

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One thing I love about Japan are oshibori, the little, wet towels often presented before a meal or on other occasions when a refreshing wash-up might be welcome. The other day I was at the golf driving range practicing my newly acquired chip-n-run shot.  Located in the heart of Tokyo, our driving range of choice at Meiji Jingu Gaien is a happening place.  I always take note of our fellow patrons.  Most appear to be retirees but there is always a smattering of younger folk.  The other day I saw a woman teeing up in stilettos.  Now that was interesting.

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Imagine my surprise and delight when I spotted this oshibori dispenser.  As you can see, it offers both hot and cold towels, each one individually wrapped in a vinyl pouch. Golfers are free to take the towel of his or her choice to their assigned driving range berth. I have yet to take advantage of my complimentary oshibori but who knows?  When I hit the driving range in the heat of the Japanese summer, I will probably be sweating more than just the small stuff.


New Year’s Apples

ImageI meant to post about these apples in January but, alas, I did not.  Better late than never, right?  Intended as gifts, each apple is tenderly cradled in its own styrofoam net and adorned with “2013” and a kind of cartoony serpentine creature, this being the Year of the Snake.  I am not exactly sure how these apples are grown but my guess is that a stencil is applied and as the apple ripens the motif appears. Alternately, the skin is sprayed red (yuck!), leaving the seasonal motif in its wake.  At Y6000 for the six-pack (approximately seventy bucks at the then exchange rate), they should have been flying out of the store.

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Made in Japan Debuts

“Made in Japan” is a simple phrase, but one full of meaning.  From cutlery to chairs, Japan creates some of the most innovative, elegant, whimsical and well-made objects in the world. I should know. I just wrote the book.  Called Made in Japan, it features 100 of the country’s recent design triumphs, each one meticulously curated by moi. It includes everything from a vending machine down to a thumbtack. So you see, I have been sweating the small stuff.  Big time.

A few months ago, while in the throes of writing this book, I got the idea to update my blog.  For starters, writing at breakneck speed (yes, this book had a quick turnaround plus we had a little earthquake that shook things up quite a bit) diverted attention from “The Thing Is.” Basically, I got out of the habit of blogging.  Wrapped up as I was in book research, my eyes were not focusing on blogworthy material. But I also feel that the birth of a new book warrants the release of a new blog.  So here it is.

When I first began my book research, I expected that writing about products would be like writing about small works of architecture – something I could practically do in my sleep. But I am not very good at sleeping and products are not small buildings.  Product design engages a whole different set of criteria, most very closely connected to the body.  While structure and construction are concerns, more often than not in Japan it is the feel of the object in the hand that determines its form and materials. Even a millimeter or two can make a profound difference.

In blog posts to come, you can expect to hear a lot about product design.  I like the subject and intend to keep writing about it here and elsewhere. You will also read about plenty of other minutia, those things – words, deeds, objects — that make daily life in Japan such a pleasure. I marvel at the care, precision and phenomenal attention to detail that exists in Japan like nowhere else.

In the meantime, take a close look at my book on Amazon: